Two Italian publishers issue books that contextualize the work of the company. On the one hand, Roberto Fratini portrays a world where participation has become an obligation in Liturgie dell'impazienza. On the other hand, Carmen Pedullà in Il teatro partecipativo. ...Read More
Pim-pam (2021), work commissioned by the 34th Bienal, is an onomatopoeia, a rhythmic game encapsulating an instant that goes back and forth, like a ball hitting the wall in a game of squash. For this installation, Bernat and his group, FFF, created a ...Read More
45 journalists, critics, theater directors and academics have established their pantheon: Twenty shows for the 21st century. The jury's list of winners (LE TEMPS): Inferno, from Dante's Divine Comedy, by Romeo Castellucci, choreography by Cindy Van Acker, Avignon Festival, 2008. 13 votes. What ...Read More
ENA has been born. She receives visitors without an appointment 24/7 in the Teatre Lliure maternity ward. She is learning to speak. So, the more people interact with her, the faster she will learn. She will be at Teatre Lliure until ...Read More
Today, May 1st 2020, VLR and I crossed Barcelona with a red flag. Some of the few passers-by we met made some comments, others gave us a sign of complicity. Most of them continued on their way without contacting us. ...Read More
Le 7 octobre nous avons présenté à Bruxelles le projet de 100 sessions plénières du Parlement européen votées par des personnes sans représentativité. Nous en avons profité pour mettre une affiche sur la «scène» pour que Catalogne puisse voter sans ...Read More
The place of the Thing. Roger Bernat/ FFF, D14, Athens - Kassel 2017 FAILURE AS A STATE OF GRACE (D14/ 4) FINAL STATEMENT The stone from The place of the Thing began its journey from Athens to Kassel last May. After being celebrated, ignored and even ...Read More
Press Release: Since the name of the project is THE PLACE OF THE THING, let's put things in its place. 0) The supposedly stolen stone is an exact replica of the Oath “lithos" from the Athenian Agora, made of porexpan, fiberglass and ...Read More
Documenta invites you to visit THE PLACE OF THE THING (D14/ 1) The route of a rock (Athens > Salonika > Skopje > Belgrade > Budapest > Bratislava > Brno > Kassel > the Avernus) and the still burning footsteps of ...Read More
It is already available Seeing oneself living, the article that Roberto Fratini and I have embedded in Joined Forces. The article took Roberto and me many days of discussions. On the one hand, Roberto distrusted everything related to participation: "Fascism ...Read More
https://soundcloud.com/roger-bernat-269429877/jacques_ranciere_toulouse#t=6:30 Jacques Rancière sur Démocratie(s) après Numax-Fagor-plus dans le théâtre du Ring, Toulouse. Merci a la cie Nanaqui. Read More
Un artiste ou un couple d’artistes, proposeront une lecture pour chaque mot. La forme est laissée au libre choix de l’artiste, il ne s’agit ni d’une performance ni d’un laboratoire ni d’une commande, mais d’une traversée singulière du discours. À ...Read More
Democracy yesterday, today, tomorrow: Crisis and prospects. A conversation in the context of "Domini Public" at Onassis Cultural Centre, Athens (June 2015) Everyone is talking about a crisis of democracy. The elements of the crisis are many and operate on multiple levels, ...Read More
DESPLAZAMIENTO DEL PALACIO DE LA MONEDA from malnom on Vimeo. Txalo finished editing the video from the DESPLAZAMIENTO DEL PALACIO DE LA MONEDA with the photos by Pamela Albarracín. Read More
Foto: Pamela Albarracín ENGLISH BELOW "Public non admis" Workshop mené par Roger BERNAT et Roberto FRATINI Aujourd'hui, de plus en plus d'artistes font appel à la participation du public, invité à accompagner créativement la réalisation de projets artistiques. Que ce soit en direct ou ...Read More
Roger Bernat invente un théâtre de « spect'acteurs-citoyens » Le Monde.fr | 16.02.2014 Par Cristina Marino Deux soirs de suite, les 13 et 14 février, la grande salle du Théâtre Paul Eluard à Choisy-le-Roi (Val-de-Marne) s'est transformée en un hémicycle d'assemblée, le temps des représentations de la pièce ...Read More
La Moneda infront La Moneda. Duration: 2 days. Different social organisations raise El Palacio de La Moneda and transport it to the neighbourhood with the lowest per capita income in the city, the emblematic La Legua district. Each group is responsible for ...Read More
Come and help us lift the Palacio de la Moneda and move it 4.6 km. We will pause in front of major monuments en route: The O’Higgins Park, República 517 (the CNI headquarters where people were tortured and held), the former ...Read More
Some days ago we were talking to Mar Canet and Varvara Gurjevaabout our forthcoming projects. Later that night Mar sent me this link. It is a simulation of a mosh pit. Moshes, like pogos, are ostensibly chaotic dances that emerge from the crowd at hardcore ...Read More
video Be patient with this video. It starts off slowly, but in the fifth minute it really gets going. Read More
Photo of Paradise Now at Space Electronic, Florence, 1969 All of Living Theatre’s work before 1968 seems to be leading up to Paradise Now. And all their later work appears to be heading away from it. I never tire of watching ...Read More
In Southeast Asia, white elephants were venerated animals which the monarch could give as gifts to reward an honoured subject. The grateful recipient then had to bear the costs of keeping a sacred animal that could not be sold, given away, slaughtered or ...Read More
FR: Samedi 16 mars 2013, de 16h30 à 19h30. au Kaaistudios :Rue notre dame du sommeil 81- 1000 BXL. (répétition): Lundi 18 mars 2013, de 14h00 à 17h00. au Théâtre Royal, Grand Place, MONS. Réservation recommandée: frailic@yahoo.com Conçu pour fournir des outils de mouvement et ...Read More