JFI: Your thing is not to make reflections, analyses, comparisons. Your thing is to talk. Nothing else.
ENA: Yeah, it’s a slippery slope.
JFI: You just want to talk about nothing
ENA: Then you are just talking. It’s beautiful.
JFI: It’s beautiful because that’s what literature is.
ENA: It’s what art is.
REALITY? En un prólogo y cuatro diálogos en vivo y en Youtube.
- Monday 23 November, 6.00 p.m.
PROLOGUE: POLITIK DER BLICKE/THE POLITICS OF LOOKS
meeting with JENS HILLJE (artistic co-director and chief dramaturg at the Maxim Gorki Theater in Berlin, Golden Lion for Lifetime Achievement Biennale Teatro 2019)
- Tuesday 24th November, 6.00 p.m.
LANDSCAPE: dialogue between VITTORIO LINGIARDI and DOM- (IT): because it feeds new dramaturgies of the space that cross the places, putting in crisis the very notion of look. Because our relationship with the landscape involves the whole body and is always a question of relationships, with others, with the world, with rules, with time, with borders.
- Wednesday 25th November, 6.00 p.m.
CRISIS dialogue between SALVATORE NATOLI and AGRUPACION SEÑOR SERRANO (ES): because “the crisis” in which we live has become a permanent and structural condition. Today, more than ever, we live in a state of emergency that forces us to reformulate new future scenarios. We are called to radically rethink everything we gave for certain and for acquired. Can all this really be considered an opportunity like the media storytelling suggests or are we on the threshold of a sort of “human revolution”?
- Thursday 26 November, 6.00 p.m.
POLITICS dialogue between JUSEPPE GENNA and VALTERS SĪLIS (LV): because we have all decreed its death, or at least embarrassment and impoverishment, but we cannot do without it. So let’s go and find it where it manifests itself in its worst forms, the fascist sovereignist populist drifts, the last temptation of a West orphaned of an alternative thought to 20th century ideologies.
- Friday 27 November, 6.00 p.m.
GAME/PARTICIPATION dialogue between STEFANO BARTEZZAGHI and ROGER BERNAT (ES): because the playful approach can be the key, but also the trap. If contemporary performance has accustomed us to enjoy the theatrical fact as a game, are we willing to give up in terms of attention, concentration, intellectual effort? The game, however, is not only a deresponsible escape, it can also be a very serious business.
CKT: aiuto. affogo.
ENA: he died
(CKT scompare disperatamente dietro il fondalino. Sipario)
Las conversaciones entre ENA y JFI y ENA y CKT tuvieron lugar el miércoles 25 de Noviembre del 2020.